GEST – Gothenburg English Studio Theatre

  • Sarah Surgey
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  • 15th February 2016
  • Nordophile enjoys promoting the arts which come from all Nordic regions and bringing them to our English-speaking audience with a similar passion. So imagine our delight when we stumbled across a theatre group in Sweden which performs in English. This is certainly a must when heading over to Gothenburg for a cultural holiday! GEST – Gothenburg […]




    Nordophile enjoys promoting the arts which come from all Nordic regions and bringing them to our English-speaking audience with a similar passion. So imagine our delight when we stumbled across a theatre group in Sweden which performs in English. This is certainly a must when heading over to Gothenburg for a cultural holiday!

    GEST – Gothenburg English Studio Theatre is an award-winning English-speaking theatre located in Gothenburg, Sweden and is the only professional English-speaking theatre in western Sweden. We bring the very best of British contemporary drama in its original language to Sweden.

    GEST is run by Executive Artistic Director Kristina Brändén Whitaker and Co-Artistic Director Gary Whitaker. Actors are recruited in Britain before every production whilst a superb Swedish production team takes care of set and light design, music and administration.

     

    (Photo Lina Ikse taken from 2015 play YEN)

     

    It was founded in 2005 with the aim of providing quality, contemporary and award-winning theatre in the English language.

    GEST works with professional actors and directors from Britain and Sweden and aims to produce theatre of the highest standard, which is accessible to everyone. As well as performing in Sweden, GEST also performs internationally and are always keen to collaborate with theatres abroad. We also collaborate closely with schools, colleges and universities, offering specially reduced student prices, workshops and after-show discussions with the actors. (See Teachers’ page)

    Gothenburg has a large English-speaking population and is the home to a variety of nationalities where English is the second language. GEST also seeks to cater for these people, who may long for an enjoyable night at the theatre.

    At present nearly all the great English-speaking plays that are performed in Gothenburg are translated into Swedish. GEST are proud to be able to show the plays in the language that they were originally written.

     

    What’s on

     

    The Events

    Gothenburg English Studio Theatre presents the Swedish premiere of the award-winning and critically acclaimed play  The Events by David Greig. Music by John Browne. Directed by Gary Whitaker.

    8 April- 30 April at Gothenburg English Studio Theatre

    4 May – 14 May at Kulturhuset, Stadsteatern Stockholm

    (Photo: Lina Ikse)

     

    Featuring local choirs, The Events tells a story of obsession, grief and forgiveness

    Claire, a liberal church minister, runs a community choir in a small seaside town.
    “…a choir that brought together vulnerable people, old people, asylum seekers, immigrant men, young mums and so on – it was a – the idea was – you can imagine. ”

     Claire, a liberal church minister, runs a community choir in a small seaside town.
    ”…a choir that brought together vulnerable people, old people, asylum seekers, immigrant men, young mums and so on – it was a – the idea was – you can imagine.”

    One day a boy with a gun walks in during a choir rehearsal resulting in devastating consequences. Claire becomes obsessed with the boy and the reasons for his actions. She looks for answers among the politicians that the boy associates himself with, his father, old classmates and, in the end, the boy himself. It’s a journey that takes her to the edge of reason, science, politics and faith.

    The Events has a strong relevance to today’s development of far right extremism in Sweden and Europe whilst also exploring how far forgiveness can stretch in the face of brutality. Different local community choirs will join the cast on stage for each performance in this rare, daring and beautiful new play.

    To find out more about GEST and upcoming theatre productions head to GEST.se

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    ‘What’s On’ SATC NYC

  • Sarah Surgey
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  • 1st October 2015
  • Nordophile has been keeping in touch with our friends at the Scandinavian American Theater Company based in New York and wanted to share with you some very important upcoming events which are very much keeping Nordic theatre alive!   Kwasi Osei and Zenzele Cooper from SATC’s Off-Broadway production “Bastards of Strindberg”, photographer Kait Ebinger   […]




    Nordophile has been keeping in touch with our friends at the Scandinavian American Theater Company based in New York and wanted to share with you some very important upcoming events which are very much keeping Nordic theatre alive!

     

    Kwasi Osei and Zenzele Cooper from SATC’s Off-Broadway production “Bastards of Strindberg”, photographer Kait Ebinger

     

    Firstly, we spoke with one of the actors, Christiane Seidel (from Boardwalk Empire) and found out from her what it is like to be part of not only SATC in New York but the Nordic community as well.

     

    Photo credit Christopher St. George.

     

    How did you first become involved with SATC?

    As a half-Dane, I had excitedly been following SATC for a while and was quite impressed with their consistent body of work, especially since the company had only been around for a couple of years. While I was shooting Boardwalk Empire, our casting director Meredith Tucker had asked me if I could recommend any Norwegian men for a role she was casting. I reached out to Albert Bendix, SATC’s Co-Artistic Director and a fellow Dane, to see if he had any suggestions and we ended up meeting for coffee. We hit it off, kept in touch and this spring SATC reached out to me if I was interested in possibly becoming a member. Because this company doesn’t mess around, I even had to come in for an interview (a very nice one with coffee and Scandinavian cookies) with the entire company. Albert even skyped in from Denmark as he was on tour. Somehow I was able to prove myself worthy and now I’m responsible for Audience and Press Coordination.

     

    Have you seen an equal interest by both the Nordic and New York audience?

    Absolutely. SATC has a large audience following our productions, our SATContemporary Reading Series, and on our social media. For example, we have approximately 80-100 audience members per reading and that includes all ages of Scandinavians, Americans with Scandinavian roots, and Americans with an interest in new Nordic theater and contemporary culture.

     

    Rikke Lylloff and Albert Bendix from SATC’s Off-Broadway production “Bastards of Strindberg”, photographer Kait Ebinger

     

    Nordic eateries are popping up all over New York and the attendance to exhibitions by Nordic artists is high. Do you feel Nordic drama productions is on the same level of acceptance?

    There is definitely a surge in interest in all things Nordic. Especially, since Scandinavian tv shows like The Killing, The Bridge, or Borgen as well as Scandinavian literature have become widely popular (in their original or their US remakes) and Scandinavian actors like Mads Mikkelsen, Joel Kinnaman, Nikolaj Coster-Waldau or Birgitte Hjort Sørensen are being cast on American tv shows and films. We can feel that this definitely has an effect on the interest in what Scandinavian storytelling looks like on stage. Especially, when we’re inviting some of these actors to join us for readings. However, contemporary Scandinavian plays and playwrights are still relatively unknown stateside. So with SATC we’re in an exciting position to be able to bring these plays to New York for the first time. In a sense we’re educating the New York audiences about their existence while filling that increasing interest in Scandinavian culture. There are so many edgy, interesting, and widely different plays that are a cultural representation of what Scandinavia is today. I might be biased, but I definitely feel that we’re approaching the same level of acceptance very fast.

     

    Finally, you are performing a couple of  readings for SATC, can you tell us a bit about what we can expect.

    Our audience is definitely in for a fun (and free!) evening. We’ll have wine, guest actors and we’ll have up-and-coming playwright Marius Leknes Snekkevåg flying in from Norway. Our readings always take place at the beautiful Scandinavia House on Park Avenue. We’ll be presenting two short plays from Marius – one dramatic and one comedic. There’ll be a short Q&A with everyone and usually, we go out for drinks at a nearby bar, which is fun as we get a chance to chat with our audience. Personally, I’m extra excited as this will be my first time performing for SATC.

     

    Readings by

    Marius Leknes Snekkevåg (playwright, reading #1 on Oct 5, Norwegian plays)

    Courtesy of SATC

    Christiane Seidel (actress, reading #1 on Oct 5, Norwegian plays). www.christianeseidel.com

     

    Tomas Lagermand Lundme (playwright, reading #2 on Nov 9, Danish play “The Sauna”).

    Courtesy of SATC

    What’s On

    We’ll be kicking off our upcoming season with a new concept called “Shows in Development”. Here we invite audiences to follow and experience our process of creating an off-Broadway production at an early stage to give our audience the opportunity to ask questions and bring their thoughts to the table. The first show in development is titled “The Remember Me Project” and our first audience interaction will be on Sept 21, 2015 at 7:30pm with a pre-reception at 7:00pm. The play we’re working on is titled “Remember Me” (original title “Muista minut”) by Finnish writer Minna Nurmelin.

    We’re also continuing with our popular SATContemporary Reading Series. This is the sixth season of the series where we present five staged readings – one from each of the Nordic countries Denmark, Finland, Iceland, Norway, and Sweden. The readings are one-night-only events, free to the public.

    The first reading will be on Oct 5, 2015 presenting two plays by the Norwegian playwright Marius Leknes Snekkevåg: “I Love You, Let Me Go” and “We Are The Voice of Our People”.

    The second reading will be on Nov 9, 2015 introducing Danish playwright Tomas Lagermand Lundme and his play “The Sauna”. For this reading, we’ll also have a guest star (TBA) joining us.

    The dates for the remaining readings are Jan 25, 2016, Feb 29, 2016, and May 2, 2016. We’re currently in the process of deciding on the individual plays.

    All our readings and “Show in Development” projects take place at Scandinavia House (http://www.scandinaviahouse.org/ at 58 Park Avenue, 10016 NYC) at 7:30pm with a 7:00pm pre-reception.

    In 2016, we’ll present the US-premiere of Norwegian playwright Arne Lygre’s play “Then Silence” as an Off-Broadway production.

    Head over to satcnyc.org to find out more
    Featured image Full cast from SATC’s Off-Broadway production “Bastards of Strindberg”, photographer Kait Ebinger
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    Season Scandinavia by Empty Deck

  • Sarah Surgey
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  • 17th September 2015
  • Nordophile was interested to learn more about a project on Kickstarter which caught our attention, with the two words Season Scandinavia. We spoke to the director Kay Michael, who has excited us even more, as this project will no doubt feed many Nordophile’s Nordic passion. The reasoning behind the venture from what we could see was […]




    Nordophile was interested to learn more about a project on Kickstarter which caught our attention, with the two words Season Scandinavia.

    We spoke to the director Kay Michael, who has excited us even more, as this project will no doubt feed many Nordophile’s Nordic passion.

    The reasoning behind the venture from what we could see was that Nordic film and TV drama accompanied with Nordic literature was now a firm favourite in most homes, but what was the next step? Even though there is no sign of the interest in Nordic drama both on screen and book form faltering, anytime soon, what if Scandinavian playwrights and their works were brought to our stages?

    Empty Deck presents the most exciting unknown contemporary Scandinavian plays in co-production with The Other Room Theatre, Cardiff.

    Empty Deck is a new theatre collective that collaborates with playwrights and artists from all over the world, bringing the best of international new writing to the UK stage for the first time.

     

     

    We may have spent too many nighttime hours watching The Killing or The Bridge, or immersed in the brooding novels of Karl Ove Knausgaard and Stieg Larsson… and we got thinking: Where’s the theatrical equivalent to all this Nordic Noir?

    Beyond Jon Fosse’s work, little is known of contemporary Scandinavian playwrights. Over the last 12 months Empty Deck has been developing Ibsen Award winner Arne Lygre’s Then Silence for its English-language world premiere, and that development has led us to discover other exciting, award-winning Scandinavian playwrights, both up-and-coming and established, whose work deserves a wider and English audience.

    Thanks to International Performing Rights Ltd and Theatre Colombine Agency we have now selected plays from Denmark, Sweden, and Norway that we shall be presenting readings of across three venues in Cardiff between October – November.

    COSMIC FEAR OR THE DAY BRAD PITT GOT PARANOIA

    By Christian Lollike The Other Room, Cardiff 

    October 30th, 19.30PM

     

     

    “The world is a goddamn hairs breadth away from falling apart. Everyone knows it. Everyone fucking knows it, but no one…no one is doing anything.”

    Cosmic Fear or The Day Brad Pitt Got Paranoia charts our growing concerns and paralysis over the impact of climate change on the planet. LA is filled with traffic jams under heavy smog, trees are drifting under floods in Bangladesh and in China incinerators are burning holes in the ozone layer. Brad Pitt fears the future. Brad is a man of action and he’s not here to entertain but to make a difference. Brad embarks on the great universal love project: to Save Planet Earth

    Christian Lollike is an award-winning Danish director, adaptor and playwright educated at The Danish National School of Playwriting at Aarhus Theatre (1997 – 2001). He is one of the most performed Danish playwrights abroad and is known for his critical plays all written in an anti-naturalistic and open form. In 2009, he received a Reumert award as playwright of the year. 

    This play, by Danish Christian Lollike, grabbed our attention in particular and we’d like to do more than just a rehearsed reading of it. We’re asking for your support to enable one week’s Research & Development and performance sharing of this play during our residency at The Other Room, Cardiff’s pub theatre.

    Cosmic Fear is about three peoples’ paralysis in the face of climate change. Not knowing what to do they all imagine themselves to be Brad Pitt, using his status as Hollywood hero to make a blockbuster film campaigning for a new global consciousness of universal love, with the mission of saving Planet Earth.

    It’s silly. And it’s scary. But it is an ever-relevant play, which asks pertinent questions of our responsibility as individuals towards the care of the planet, humanity and the future. It reaches into our genuine concerns, fears, confusion, denial and anger about the devastating effects of climate change on the world.

     

                                                         Photography: Richard Davenport

     

    Collaboration is at the heart of what we do, and the team is only as good as the collaborators with whom we work.

    As part of our residency at The Other Room Theatre, all venue and marketing costs are covered. However we want to employ the most exciting Cardiff-based creatives to work with us for the week. To excavate the ongoing issues of climate change and look at how we can present this text through both theatrical and digital means, we want to engage:

    • 3 actors
    • One video designer 
    • One dramaturge 

    It’s important to us that artists are respected and paid properly for their hard work and creativity, in line with the Independent Theatre Council recommended rates of pay. Your support will enable us to do just that.

     

                                                         Photography: Ettiene Leung

     

    The Team

    Kay is a freelance theatre director, who trained at Drama Centre London and read English & Theatre Studies at Warwick University. She is a founding member of award-winning Curious Directive with whom she has devised, performed and directed. In 2014 she was Trainee Director at Paines Plough.

     

                                                         Photography: Hannah Lovell

     

    Fern has worked between Italy, Australia and Wales for the last 7 years. Most recently she worked at Wales Millennium Centre, Cardiff, on forming their strategic producing plan and new vision under their new artistic director.

     

     

    Born in Romania, Denisa’s training has included 5 years of Architecture and Design, 8 years of Drawing and Painting, 3 years of Sculpture and 6 years of Art History. At Central Saint Martins she developed her practice through both devised and design-led projects.

     

     

    Sara is a post-graduate of Trinity Laban Conservatoire of Music & Dance and has collaborated with Kay since the early days of curious directive.

     

     

    Empty Deck

    Empty Deck is an international collective who tell stories that cross artistic forms and geographical borders.

    Collaborating with contemporary playwrights and artists from all over the world, we strive to make invigorating theatre that is physically bold, emotionally stirring, and relevant. We want to make work that is both local and global in its reach.
    Empty Deck aims to:
    • Deliver narratives that uncover experiences of the world that we live in now;
    • Challenge the relationship between the audience and spectacle, exploring the audience’s complicity within a shared space;
    • Interrogate the relationship between theatrical form and content in inventive, exciting and illuminating ways.Help us spread the word by posting our Kickstarter campaign on your facebook &/or twitter page and mention us on any social media platform you use.

    Like us on Facebook: https://www.facebook.com/emptydeck

    And follow us on Twitter:  https://twitter.com/emptydeckco

    Head to the Kickstarter page www.kickstarter.com

    Featured image by Richard Davenport

    Thank you to empty deck for text & use of photos

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    Bora Bora

  • Sarah Surgey
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  • 11th August 2015
  • bora-bora-efteraar-2015

    Nordophile on its discovery of the arts in the Nordics is excited to present Bora Bora, a production house of dance and visual theatre. Based in Aarhus Denmark, this is definitely a cultural experience which any Nordophile can enjoy without fear of a language barrier, because the presentation is different to regular theatre and is […]




    Nordophile on its discovery of the arts in the Nordics is excited to present Bora Bora, a production house of dance and visual theatre. Based in Aarhus Denmark, this is definitely a cultural experience which any Nordophile can enjoy without fear of a language barrier, because the presentation is different to regular theatre and is not done solely through dialogue but a very visual exploration of performing arts, which makes it perfect for an international audience (like expatriates in Aarhus). Bora Bora is key in promoting international exchange, with encouraging and obtaining foreign acts to their stage as well as sending the performances they help co-produce out into the world – all the while trying to help emerging artists. Bora Bora presents, produces and co-produces national and international performances, organizes festivals, conducts artistic experiments and initiates residencies and workshops.

     

    bora-bora-efteraar-2015

     

    Bora Bora as a house does not have its own dance company – as many other dance theaters have. They work with select groups, though, and co-produce their shows – among other things providing them much needed space to rehearse.

    They are involved with some international groups, but also have a handful of local groups connected. Among them the company Don*Gnu Physical Theatre – who will present their latest premiere “M.I.S. – All Night Long” this October. A good chance to see some uniquely Danish dance theater. Through exchanges with partners in different networks across Europe, Bora Bora wants to show the audience the newest and freshest in visual performing arts. They work together with partners to internationalise production possibilities for a wide range of artists locally and nationally. Facilitating contact between the Aarhus audience and European artists, and between the artists in general.

     

    murmur-aakashodedra-940x480

     

    Festivals are an important part of Bora Bora. Through festivals – like artist residencies –  the audience meets artists from different countries, exchange views, experiences and sometimes begin long-lasting cooperations.

    There are some amazing productions coming up which we recommend you see. Aarhus as a city is a cultural hub and is worth combining your Nordic travel with this theatre that is raw and impassioned about producing and promoting visual theatre.

     

    stilllife-nicolebeutler-1-940x480

     

    Sometimes words are not enough when it comes to the arts, so hereare some videos for you to hear & see a small glimpse into what Bora bora is really all about! vimeo.com  youtube.com

     

    Upcoming events

     

    Detour 16-17 Sept

    Detour is an urban dance festival with b-boying, house and hip hop poetry – dedicated to promoting and enhancing the quality of urban dance and its great choreographic potential in Denmark.

    The last three years the festival has been a great success in Copenhagen, where it has challenged both the audience and the Danish dance environment in their perception of urban dance and choreography. Now the festival comes to Aarhus for the first time.

    Detour festival is a celebration of the whole urban dance environment and is dedicated to further accelerate the meeting of urban dance and new audiences across cultures.

    The festival is for all ages, so come and join in when the year’s most extensive urban dance festival kicks off! Get carried away by the good mood when some of the best dancers on the urban dance take the stage. There is room for both clapping and cheering, be captivated and get up from the seats when the dancers interpret the classic hip hop in new ways that reach far beyond the stage.

    The festival includes short features from a mixture of the most renowned national and international choreographers on the urban dance scene.

    Featured artists on the programme:
    Tentical Tribe (CAN)
    CJM’s (FRA)
    Rico Coker (DK)
    Sara Jordan (DK)
    Anna Eileen & Marie Paldrup (DK)

     

    detour-urban-dance-festival-7-940x480px

     

    Reptile Youth 3rd Oct

    Mercedes-Benz presents a unique concert with Reptile Youth with stage design and visuals by the American artist Abby Portner.

    This cooperation was first presented at CPH:PIX and later at SPOT Festival. This evening you will experience a fully developed version of this collaboration between Reptile Youth and Abby Portner with a full live band set-up. The band will perform the songs from the EP “Away” plus older material. For the concert, Abby Portner is building an entirely unique stage design with video as well. For many years she has worked closely with Animal Collective as well as worked with John Cale and Jim Henson Studios.

    Bora Bora presents this concert in cooperation with Fonden Voxhall.

     

    reptileyouth-abbyportner-940x480

     

    Lost Memories 7-8 Oct

    Shaken, disoriented and without memory Mr. H arrives at a psychiatric emergency ward. The space, sounds and doors evoke glimpses of memories and the staff transforms into people from his past. Infinitely slowly he recalls: A woman is lost in the darkness.

    LOST MEMORIES recreates the feeling of inner chaos from a man who has lost his beloved to suicide, and the paralyzing despair that hits you when you see another human disintegrate. The performance shows in retrospect and in a backward manner the traumatic events which led to Mr. H’s amnesia.

    LOST MEMORIES is a tale of losing yourself when you lose someone else. About rediscovering yourselves and live in a moving narrative with dance, video, words and music.

    LOST MEMORIES is supported by the Danish Arts Council, Augustinus Fonden, Wilhelm Hansen Fonden, Denmark’ National Bank’s Anniversary Foundation of 1968, Konsul Georg og hustru Emma Jorcks fond and Copenhagen Performing Arts Committee.

    LOST MEMORIES on tour is supported by the Danish Arts Foundation Project Funding Committee for the Performing Arts.

     

    lost-memories-pernille-garde-1-940x480px

     

    DON*GNU 29 Oct-3 Nov

    M.I.S. ALL NIGHT LONG is a slapstick dance performance which kicks the balls in orbit and bang the heads together in pursuit of the cursed self-understanding.

    In the final part of the trilogy about MEN SANDALS which is about the man’s identity in modern society DON*GNU digs down in the subconscious. Four totally different dancing men stretch themselves to the breaking point and throw themselves against their self-inflated walled-up self. They explore the man‘s unexpected paths and hidden energies in his labyrinthine search for meaning and pathos.

    What are these mechanisms we start when we as men look inward to find the answer? And how do we meet those mechanisms again, when we look outwards and are confronted with ourselves? How do we act in this inferno of unintended consequences with guilt and remorse at one end and desperate rescue operations in the other?

    Supported by Danish Arts Foundation, Aarhus Municipality, Aarhus Municipality’s Cultural Development Fund

     

    MIS-natten-lang-dongnu-940x480

    Bora Bora is supported by The Performing Arts Committee of the Danish Arts Council and The Municipality of Aarhus.

    We thank Lars Kjær Dideriksen who was only too happy to speak with us about Bora Bora

    Nordophiles should head to the site for the full programme with info and video trailers bora-bora.dk

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    Scandinavian American Theater Company

  • Sarah Surgey
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  • 1st June 2015
  • satc

    Nordophile heard about the Scandinavian American Theater Company (SATC) in New York, who were not only producing top quality theatre productions which were truly making an impact and creating a buzz, but were also strengthening ties between the Scandinavian and American communities. We spoke with Albert Bendix to find out more. Scandinavian American Theater Company […]




    Nordophile heard about the Scandinavian American Theater Company (SATC) in New York, who were not only producing top quality theatre productions which were truly making an impact and creating a buzz, but were also strengthening ties between the Scandinavian and American communities. We spoke with Albert Bendix to find out more.

    Scandinavian American Theater Company SATC is a New York City-based not-for-profit theater company founded on April 14th 2009 to provide Scandinavian perspectives that examine and challenge the cultural status quo through a new generation of Scandinavian playwrights and theater artists. They present contemporary plays and inventive takes on the classics from the Nordic region, including Sweden, Norway, Finland, Iceland, Denmark, Greenland, and the Faroe Islands. In 2012, the company was awarded the American Scandinavian Society’s Honorary Grant for their “very ambitious work to promote Scandinavian culture in New York”.

    satc5

    They are committed to strengthening the relationship between Scandinavia and the United States through collaborations and interdisciplinary artistic exchange. We have accomplished an unparalleled engagement with over 250 theater artists including playwrights, translators, directors, actors, designers, composers, stage managers and more. As of June 2014, 43% of these artists were Scandinavians, 49% were Americans and 8% from the rest of the world.

    SATC has grown at a rate few other independent theater companies in New York could only dream. As a small company with limited financial resources, they have managed to present 8 new plays and more than 25 readings in their first 5 seasons. They believe that SATC brings something unique and vital to New York City: A new cultural theater hybrid that speaks to the audience of the 21st century and which takes the forefront in the development of the Nordic performing arts in the United States.

    SATC

    OFF-BROADWAY

    In an exciting development, SATC moved from Off-Off-Broadway to Off-Broadway in celebrating their 5th-year anniversary with the critically acclaimed Bastards of Strindberg at Theatre Row on 42nd Street. The show was an important step for them in offering a true fusion of Swedish and American playwrights inspired by a classic piece of modern theater. SATC’s next Off-Broadway production will premiere winter 2015/16

    THE PLAY CLUB

    The Play Club is SATC’s most recent venture into creating a community of theater lovers and creators: An online forum for people with a shared passion for new Scandinavian plays to exchange thoughts and opinions. Every other month a translated contemporary Scandinavian play will be available as a free download for the Play Club Members. They hope the Play Club will engage the SATC community to become more actively involved in the SATContemporary Reading Series, and give the playwrights a chance to showcase their work and expand on their international following. To become a member of the Play Club, please email your full name and city/country of residence to: playclub@satcnyc.org

    SATC

    SATC ON TOUR

    SATC would like to expand on the bridge we have created between American and Nordic culture. They will continue to produce Off-Broadway productions in New York City but at the same time strive to get these productions on tour in Scandinavia and the rest of the United States. In order to achieve this vision, SATC wishes to partner with organizations and companies that share the same passion for intercultural exchange. If you would like to collaborate with and/or invite SATC to perform at your theater, please contact SATC’s co-artistic director Albert Bendix albert@satcnyc.org

    A NORDIC THEATER IN NEW YORK

    One of SATC’s long term goals is a theater to call home in New York City: A residency at an established theater, or financial assistance to run a building as our own. A Nordic theater would be financially practical as we would save on costly production expenses. Additionally, SATC would be able to host Nordic theaters from abroad where together we can build our community and serve as a cultural platform, producing the best of Nordic culture for audiences from all over the world.

    SATC

    READING SERIES

    SATContemporary Reading Series consists of five staged readings that take place throughout the year. One contemporary play is chosen from each Scandinavian country, introducing our audience to a new generation of Nordic playwrights. The reading series is co-presented by Scandinavia House: The Nordic Center in America, where the readings also take place. The plays are read in English and the readings are free to the public. SATContemporary Reading Series has continued to grow with more than 450 audience members attending the 4th season. If you wish to submit or suggest a play for the reading series please email SATC’s literary director Vanessa Johansson: vanessa@satcnyc.org.

    SATC

    Playwrights presented in the reading series: Alexander Bodin Saphir, Andreas Boonstra, Anna Krogerus, Arne Lygre, Bjarni Jónsson, David Bar Katz, Dominique Morisseau, Fredrik Brattberg, Hávar Sigurjónsson, Jacob Hirdwall, Jokum Rohde, Jón Atli Jónasson, Jon Fosse, Jonas Hassen Khemiri, Juha Lehtola, Kari Hotakainen, Laura Ruohonen, Lina Ekdahl, Maria Tryti Vennerød, Minna Nurmelin, Pasi Lampela, Petter S. Rosenlund, Rhea Leman, Richard Hobert, Sofia Fredén, Thomas Markmann, Thor Bjørn Krebs, Thorvaldur Thorsteinsson and Vera Näsström

    www.satcnyc.org

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