Wallander – The Opera

  • Sarah Surgey
  • Tagged , , , , , ,
  • 18th June 2015
  • mariagatan-ystad

    Nordophile was very intrigued to hear that Wallander – The Opera, is being brought to the public. We spoke to Dr. Karl G. Rijkhoek from Universität Tübingen, who was only too happy to send us some information about this amazing collaboration of talents, combining together an author’s successful work, with operatic directors and composers.

    In summer 2016, the University of Tübingen will bring policeman Kurt Wallander from Henning Mankell’s Swedish crime novels to the opera stage for the first time. The opera “W – The Truth Beyond” will be composed by Fredrik Sixten from Sweden. The libretto is written in English by Swedish dramatist Klas Abrahamsson and the project is spearheaded by University Music Director, Philipp Amelung.

    “It was not difficult for me to say yes to this fascinating project”, says Composer Fredrik Sixten. “Opera Wallander has, through Klas Abrahamsson ingenious libretto, everything a composer can dream of. With many strong emotions, an exciting crime drama, a message for our time and thus many opportunities for my expressive music to present itself in its full width.”




    Under the creative direction of Philipp Amelung, Collegium Musicum, the University Music Society and students from Musikhochschule Stuttgart will perform the opera. Actor and television presenter Malte Arkona will direct the stage performance. Project cooperation partners and sponsors include the Institute of Musicology, the Departments of Media, German and Scandinavian Studies at the University of Tübingen, and the towns of Tübingen and Ystad, Wallander’s hometown. The premiere will be performed on 15 July 2016 in Tübingen and accompanied by Württembergische Philharmonie from Reutlingen. The Swedish premiere will be held on 13 August 2016 in Ystad theatre accompanied by the orchestra La Banda modern.

    “I became acquainted with Fredik Sixten’s compositions some time ago and I have always loved the Wallander novels – it seemed a natural idea to put the two together,” explains Amelung on his inspiration for the project. Henning Mankell met Amelung personally in 2013 and gave his sup- port for the project. Mankell, who is also a lover of music advised Amelung: “You need to find your own way to use the story that is appropriate to your medium.”




    “The project is an incredible creative challenge,” says Amelung. Wallander’s character has many facets and the aging policeman struggles with alcohol abuse and loneliness. The opera follows on from “The Troubled Man” where Wallander is diagnosed with Alzheimer’s disease. At Wallander’s retirement celebration, the policeman is approached by Tobias Jonsson. Jonsson, who Wallander convicted for the murder of his own father 15 years ago, assures Wallander of his innocence. This awakens Wallander’s curiosity and he agrees to reopen the case.

    “One insight I have gained during the work is how similar the crime novel and the world of opera is”, says librettist Klas Abrahamsson. “Both deal with the violent death, strong feelings and incredibly cruel scenes. From that point of view, it ́s almost surprising that – as far as I know – there are no more operas based on contemporary crime novels written yet!”




    The Wallander novels have been filmed by Swedish television and the BBC over the last two decades. Between 2005 and 2014, the crime series “Mankells Wallander” was filmed as a German- Swedish co-production. However, this is the first Wallander opera.

    In the winter semester 2015/16, the University of Tübingen will offer an interdisciplinary seminar to accompany the opera which will examine the novels, films and music. A documentary is being filmed to record the progress of the production from the creative process to the performance.


    About the artists

    Composer: Fredrik Sixten is one of the leading church musicians in Scandinavia. He was an organist at Härnösand Cathedral in Sweden and Nidarasdom in Trondheim, Norway. In 2010 he was award- ed “Composer of the Year” by the Stockholm Music Association. Sixten, who is a free musician since mid-2014, has mainly composed oratorios, a requiem, a St. Mark passion and a Christmas oratorio.




    Librettist: Klas Abrahamsson regularly writes scripts for film and television. He also wrote the screenplay for the Wallander novel “The Midsummer murder”. In Germany, he is known for his play “Das Wunder von Schweden. Eine musikalische Möbelsaga”. In March 2015, he was awarded the Swedish Ibsen prize.




    Creative director: Philipp Amelung has been University Music Director at the University of Tübingen since 2011. Previously, he was the acting choral director of the Munich Bach Choir and the director of Schola Cantorum, Lepizig.




    Stage director: Malte Arkona has performed in several Munich operas such as Engelbert Humper- dincks “Hansel and Gretel” and was awarded the Echo Klassik in 2013 and 2014 as a narrator for orchestral audiobooks. Arkona, who is also a television presenter, has been studying at the Institute of Musicology at the University of Tübingen since 2010.




    The realisation of an opera about Henning Mankell’s fictional character Kurt Wallander represents a tremendous interdisciplinary opportunity at the Eberhard Karls University in Tübingen. As originally conceived by UMD Philipp Amelung, the project has inspired the department chairs of musicology, media science, Scandinavian language and German language and literature studies to pool their talents and resources in a unique artistic collaboration. The artists already at work on the project include, in addition to Mr. Amelung, the librettist Klas Abrahamsson and Swedish composer Fredrik Six- ten. Happily, the Swedish city of Ystad has joined as a significant partner in supporting the production of the Kurt Wallander opera, making possible the performance of the opera in the very city where Mankell’s Kurt Wallander novels take place. In January 2013, Philipp Amelung met with author Henning Mankell who expressed great joy in, as well as support for, the transformation of his literary creation onto the opera stage. The objective of this project is to conceive, develop, and bring to life a new type of artistic genre – the criminal opera. The Collegium Musicum, with its director Philipp Amelung, is determined to expand the opera audience base by reaching out to friends of opera, criminal novel devotees, film enthusiasts, and lovers of contemporary music.

    Information courtesy of uni-tuebingen.de

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